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I am in blood, Stepp’d in so far, that, should I wade no more, Returning were as tedious as go o’er.” (Macbeth, Act III, scene iv) He shows that he has no interest of going back to right, when he has already committed so much wrong doing.
Macbeth is portrayed as a tragic hero, someone who has it all at first but decides to give it all up. Bradley, the central feeling of a tragedy is one of waste.
Throughout the story the waste of potential, the waste of life and finally the waste of innocence are just some of the types of wastes that can be found, but they are enough to prove the theory. It can be argued that Macbeth’s waste of his own innocence was not intentional, but forced upon by his wife, yet he ends up going through with the deed of killing Duncan.
Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). He never forgets his crimes, and he is anything but a common man; he is complex, as conflicted as A. Shakespeare plumbs the depths of human nature, of man’s innate desires, and procures a disturbing reality.
A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. Macbeth is not a simple character, but the same can be said for anyone; no one is as plain as he or she may seem.
Adopting this idea to explain how evil disrupts God's plan, Augustine speculated that God permits demons to know the "seeds of reason" and on occasion to speed up natural (i.e., divinely ordained) processes in a destructive manner.
This is what Banquo refers to, Curry argued, when he says to the witches, "you can look into the seeds of time / And say which grain will grow and which will not" (Macbeth, 1.3.58-59), and it is what Macbeth refers to when he says that the witches, empowered by their "masters," can tumble nature's "germens" (or seeds) together even till destruction sicken.
Curry does not say where he thinks Shakespeare may have come across the idea, but both Theobald's editorial commentary and Curry's explanation suggest that the playwright became aware of "germens" in about 1604, and that the idea captivated him enough for him to allude to it in three plays over the course of two or three years.
(2) Curry's point is just one of many that suggest the persuasiveness of taking religion seriously as religion in Macbeth, on the argument that the play was shaped by prevailing assumptions of one sort or another.
But not only has Macbeth been persuaded to kill Duncan, but his innocence gets mocked as Lady Macbeth states “A little water clears us of this deed” (Lady Macbeth, Act II, scene ii).
She portrays murder as merely a deed that can be simply washed away from the hands with water and therefore the mind as well.