Shakespeare disconcerts Dryden; he recognises his superiority but within himself he would feel closer affiliations with Ben Jonson.In Dryden, then, we find a "liberal" neo-classicist, although he is most coherent (a trait of classicism) when he is dealing with that which can be understood and reduced to rule. (ii) Compare your answer with those given at the end of the unit. He agrees with Eugenius that in the last generation the English drama was superior. But English drama has decayed and declined since then.Its dialogue form has often been criticized as inconclusive, but actually, as in most dialogues, there is a spokesman weightier than the others.Tags: A Sample Of Business PlanWriting A Apa PaperRoe V. Wade EssayNarrative Essays About Being An OutsiderCreative Homework AssignmentsCritically Analyze Research PaperObstacles To Problem SolvingNursing Research Proposal IdeasCover Letter For Audiology Assistant
Dryden would also regard such exercises as ‘imitation’ since it is drawing on “other men’s fancies”. (ii) Compare your answer with those given at the end of the unit. The English are guilty of the folly, while the French are not. The Plots of the French tragedies are based on well-known stories with reference to the theory and practice of the Ancients. He suggests that the use of well-ordered sub-plots makes the plays interesting and help the main action. (1) Fill in the blanks: (XIV)In this article French Poesy is compared with ___________.
(iii) To work on the SAQs through Moodle LMS and get instant feedback and score click here. But these stories are transformed for dramatic purposes; in this regard they are superior even to the Ancients. Further, he suggests that English plays are more entertaining and instructive because they offer an element of surprise that the Ancients and the French do not. (XIVI)The newer French writers are imitating _________________.
While Dryden has no problem with the prevalent neo-classical bias in favour of verisimilitude (likeness/fidelity to reality) he would also allow in more liberties and flexibilities for poetry. The attention of the English playwrights is constantly diverted from one action to the other, and its due effects. French poesy is beautiful; it is beautiful like a "statue".
In the The Grounds of Criticism in Tragedy he makes out a case for double-legged imitation. (XXXIX) The French do not burden their play with _____________ . This fault of double-action gives rise to another fault till the end. He even says that the newer French writers are imitating the English playwrights.
Reading List (A) Bibliography (B) Further Reading John Dryden (9 August 1631 – ) was a prominent English poet, critic, translator, and playwright who dominated the literary life of the Restoration Age; therefore, the age is known as the Age of Dryden.
Einstein Essay On Socialism - An Essay Of Dramatic Poesy
(III) How many speakers are there in The Essay on Dramatic Poesy?(IV) What is all the argument in the Essay on Dramatic Poesy about? (2) Choose the right answer from options (Multiple-choice) (VI) Neander's overall statement on the literary standards is that.….(a) the norms can be added to make the work ideal (b) the norms cannot be added to make the ideal To check you answers, click Literary_Criticism_Page_2. Dilip Barad, [[ Bhavnagar University, Bhavnagar, Gujarat. (II) Dryden’s critical observation of contemporary reality is reflected in_____________. (1) Fill in the blanks: (I) The Restoration Age is also alternatively known as the _________. Please note that you need to create a NEW ACCOUNT (only first time), and then only you will be able to work. (iii) To work on the SAQs through Moodle LMS and get instant feedback and score click here.In Dryden we find an interest in the general issues of criticism rather than in a close reading of particular texts.We call Dryden a neoclassical critic, just as Boileau. His best-known critical work, An Essay on Dramatic Poesy, partly reflects this tension in Dryden's commitments.Neander's overall statement on the literary standards is that, the norms can be added to make the work ideal, but the norms will not improve a work which does not contain some degree of perfection.And as Dryden believes, we may find writers like Shakespeare who did not follow the rules but are nevertheless obviously superior to any "regular" writer.