Critical Essay Salvation Langston

Critical Essay Salvation Langston-58
Wallace Best: This book in many ways is born from that research that I did in Chicago years ago, when I was working on as a dissertation, deep into the archives and into the issues of movement and migration and the way in which that transforms African American religious practices in Chicago and beyond. His name would come up in church documents, the papers of ministers and church workers. I found him in unexpected places in my research on Chicago and that intrigued me.My understanding of Langston Hughes was that he would be un-churched and unconcerned about churches and unconcerned about religion.

Wallace Best: This book in many ways is born from that research that I did in Chicago years ago, when I was working on as a dissertation, deep into the archives and into the issues of movement and migration and the way in which that transforms African American religious practices in Chicago and beyond. His name would come up in church documents, the papers of ministers and church workers. I found him in unexpected places in my research on Chicago and that intrigued me.My understanding of Langston Hughes was that he would be un-churched and unconcerned about churches and unconcerned about religion.

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Hughes had that traumatic night when he failed to see Jesus, but it didn’t cut him off from the pursuit to understand what it means to be saved, what religion is and its function in daily life—on a personal level and on a communal level.

Just because Hughes cannot—and he does not—explicitly state or position himself as a religious believer, one cannot, then, discount his works on religion.

angston Hughes, the literary titan of the Harlem Renaissance, did not identify as a religious believer.

And yet, Hughes wrote as much about religion as he did anything else, according to Wallace D.

Best, a professor of religion and African American studies at Princeton University, is also the author of .

Their interview has been lightly edited and condensed.

I argue in the book that Langston Hughes wrote as much about religion as he did about any other topic if we broaden our understanding of what religion actually is. Because what Hughes began to offer me in my exploration was this much more broad and expansive way to think about what constitutes religious writing.

His poems, his plays, and his social commentary became available to me for religious analysis.

Hughes had a failed salvation experience, but it by no means suggests that he didn’t find types of salvation throughout his life.

What I suggest is that salvation becomes a bit of an obsession for him, and he wrote quite a lot about the topic of redemption—how one is redeemed, how one is saved.

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