Discursive Essay On Surrogacy

Discursive Essay On Surrogacy-41
This gives a distinct character to the global 'reproscapes'.Based on the findings from ethnographic studies, it identifies the specific local and moral regimes at each of these countries that further stratify reproduction and the global reproscapes.It traces the cross-border 'reproflows' of actors, technologies, desires,...

This gives a distinct character to the global 'reproscapes'.Based on the findings from ethnographic studies, it identifies the specific local and moral regimes at each of these countries that further stratify reproduction and the global reproscapes.It traces the cross-border 'reproflows' of actors, technologies, desires,...

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more This chapter focuses on two Indie crowdfunded narratives of gestational commercial surrogacy, “I Am Afia”, the first story in the four-part anthology film I Am (2010) by Indian filmmaker Onir (also known as Anirban Dhar), and Sita (2012), written and directed by US-based filmmaker Arpita Kumar.

The protagonist of Onir’s “I Am Afia” (a web designer played by the Indian actress and director Nandita Das) is a single woman seeking IVF treatment in 2009 Kolkata; Sita is a short, twenty-minute narrative film whose protagonist rents her womb out to a Canadian woman, Kate.

Indian cities have now been de-exoticized from their previous association to elephants, snake-charmers, and slums, and are now being...

more The branding and marketing of post-millennial India as a global service provider has been relentless.

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The branding and marketing of post-millennial India as a global service provider has been relentless.It traces the cross-border 'reproflows' of actors, technologies, desires, hopes, gametes, embryos etc.and discusses how national legislations along with the actors' social and cultural attitudes create various types of consumerism, choice, capital accumulation and labour relations.We further build on Graham Huggan’s early twenty-first-century thesis on the marketing of the postcolonial margins to explore the emergent gendered subjectivities and attendant fictional representations of ICGS and its various actors in the novel The House of Hidden Mothers (2015) by the diasporic British Indian author Meera Syal.Drawing on this novel, we map and examine the perceptions and representations of ICGS, investigating that which facilitates and promotes exploitation to deduce the resultant impact on the stakeholders and active agents in this industry in the space of India and in the West.Indian cities have now been de-exoticized from their previous association to elephants, snake-charmers, and slums, and are now being marketed as the hub of Global North medical infrastructure and scientific advancement, at attractive Global South rates.Legalized only in 2002, international commercial gestational surrogacy (ICGS) in India, a lucrative niche market within the sector of medical and healthcare tourism, has been an industry worth US$ 2.3 billion annually at its peak.In the context of globally gendered and classed interactions and the translocal reconfiguration of family and kin structures, the new independent Indian cinema acts as a catalyst for the emergence of social change, uncovering and disrupting “traditional” social contracts.This chapter presents Onir’s and Kumar’s filmmaking as a situated artistic exercise, part of growing place-based practices which aim to be socially responsible.These arguments are sustained by an interview conducted with Onir, generous excerpts of which are given throughout the chapter.This chapter examines the cross-border movement of various groups of actors for egg donation and commercial surrogacy to and/or from India, Germany and Israel.

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