The reader does not witness the kidnap itself: instead, she is introduced to Jack and Ma seven years into their captivity.Therefore, we are normalized to their surroundings in Room before we are normalized to their presence in the outside world, the same situation experienced by the protagonists.Neither Ma nor Jack can simply begin their new life away from Old Nick: they are both emotionally scarred and physically damaged from their time in captivity.
The reader does not witness the kidnap itself: instead, she is introduced to Jack and Ma seven years into their captivity.Tags: Social Media DissertationCritical Thinking Articles And QuestionsThe Sea EssaysKs1 HomeworkThesis Proposal Form UmnExamples Of An Outline For An EssayTok Essay Extended EssayChild Psychology Topics For Research PapersHealthy Food EssayEssay On A Songs Lyrics
In order to cope with her isolation, Ma creates a daily schedule, pretending that there is some semblance of normality in her life.
The full sense of tragedy associated with their isolation only becomes apparent when Ma is "gone" for a day at a time: she appears to be mentally ill, and, with only Jack for company, she is completely bereft of the medical attention she needs.
In Room, Ma lives in a constant state of fear—fear of what Old Nick will unexpectedly do next, and fear of what she knows he will do when he visits that night.
We see, therefore, that one can feel fear both for the unknown (e.g., "What will Old Nick do next? The reader's experience of the fear inherent in Room is given a further level of nuance from the child's perspective from which the narrative is presented: Jack does not always understand what to fear since he is so young.
Jack has grown up and learned to communicate with only one other person in close, captive quarters; therefore, he is almost entirely unable to communicate properly in the outside world, which has many different social rules that he has never experienced.
The most obvious example is Jack’s interactions with the TV: in Room, he believes that he knows what is real and what is make-believe.
deemed the book “Sophisticated in outlook and execution… Donoghue makes the gutsy and difficult choice to keep the book anchored somewhere inside Jack’s head…
Utterly plausible, vividly described.” exulted, “Narrated by a 5-year-old boy so real you could swear he was sitting right beside you… But what makes the emotion possible is that this book is built like a finely crafted instrument that perfectly merges art and function…
Before their freedom can be celebrated, therefore, Ma and Jack must first let go of their habits they had to adopt in order to survive in Room. Despite Jack being a product of rape, he and Ma only ever treat each other with love—indeed, their familial bond is all they have to remind them that love still exists.
When Ma begins to reveal to Jack that she has a family beyond him, she recalls a similarly intimate family moment: playing with her brother Paul in their old hammock.