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Book reviewer, Los Angeles Times, 1981-93; New York Newsday, 1990-92; and since 1993 Washington Post. Awards: Vesta award, 1989, for writing; Guggenheim fellowship in fiction, 1990-91; Lila Wallace teaching grant, 1992-93; Women's Care Cottage Apple award, 1991; Los Angeles Times Robert Kirsch body of work award, 1993. The story of the neurotic, stubborn Grace, left by several husbands and facing retirement alone, is coupled with that of her daughter, Garnet, a "useless" wealthy housewife who is into est and interior decorating.
Golden Days's title is taken from John Milton's Paradise Lost, and See's novel verges on religious allegory. Readers follow gemologist Edith as she negotiates single parenting and teaches classes to prepare wealthy married women for their husbands' desertions by stockpiling jewels.
Edith's reestablished friendship with Lorna, a caged housewife turned healer and evangelist, provides one of the most interesting story lines.
This is partly the story of Lorna Villanelle and me; two ladies absolutely crazed with the secret thought that they were something special.
Everyone's "specialness" is seemingly leveled with the dropping of a nuclear bomb.
He is a Professor of Black Studies at UC Santa Barbara, where he was chair of the department from 2008-2016. Stewart is the author of numerous articles, essays and books, including an essay to the exhibition catalog “Procession: The Art of Norman Lewis,” and the foreword for “Barthe: A Life in Sculpture.” He founded the Black Studies Review: An Undergraduate Research Journal, for which he won the Chancellor’s Faculty Award for Excellence in Undergraduate Research Mentoring (2018).
Professor Stewart has taught at Harvard University, Yale University, UCLA, Tufts University, Howard University, Scripps College, and George Mason University.
I've always had to write to make a living, and have a solid background in journalism from my father.
Both women unwillingly take stock of their failing and failed relationships with husbands and children.
This novel spans wars and generations, but at its heart is a beautifully rendered story of two women whose individual choices become inextricably tangled.” Ms. See was honored as National Woman of the Year by the Organization of Chinese American Women in 2001, was the recipient of the Chinese American Museum’s History Makers Award in 2003, and received the Golden Spike Award from the Chinese Historical Society of Southern California in 2017. See wrote the libretto for Los Angeles Opera based on , which premiered in June 2000.
See has also written a mystery series that takes place in China, as well as , which is about her Chinese-American family. That same year, she also curated the exhibition On Gold Mountain: A Chinese American Experience at the Autry Museum. See then helped develop and curate the Family Discovery Gallery at the Autry Museum, an interactive space for children and their families that focused on Lisa’s bi-racial, bi-cultural family. In 2003, she curated the inaugural exhibition—a retrospective of artist Tyrus Wong—for the grand opening of the Chinese American Museum in Los Angeles. A.’s Chinatown and wrote the companion guidebook for Angels Walk L. to celebrate the opening of the MTA’s Chinatown station.