My short film ‘Sunset at Willesden Junction’ is also about longing and recollection of romantic places one cannot forget.This work raises issues of alienation of the individual in urban environment as well as feelings of displacement of outsider within new, non-home environment.This is a vision of Rist’s world of wrappings of various disposable objects one buys daily – white or translucent plastic bags, shovels, toothbrushes and its shadows mixed with wild nature of powerful ocean’s waves.
I decided to build upon some of the themes from the exhibition and Calvino’s book in my essay, and to apply its ideas to the work of various contemporary artists in whose work I am interested, as well as to some of my own work and the issues I am trying to address.
Italo Calvino’s ‘Invisible Cities’ is a collection of surreal short stories about cities visited by the traveller Marco Polo, places where people act, depict and consider things that make no sense or are impossible.
The issues covered in this collection of stories are visitor versus inhabitant, home vs. “…Your gaze scans the streets as if they were written pages: the city says everything you must think, makes you repeat her discourse, and while you believe you are visiting Tamara you are only recording the names with which she defines herself and all her parts” This refers to the semiotics of urban landscape, a panoramic view of a city surveyed by the viewer and symbolic representation of materials and social practices – opposition between the market and place.
The signs are communicating to the viewer in well-premeditated language and form and in its communication, signs are influencing and (re) forming viewer’s opinions.
Pipilotti Rist ‘s videos and installations often features billboards and consumer symbols.
Marco Polo Essay Research Paper Abortion
Her installation at ‘The State of Play’ exhibitiondeals with the issue of consumerism.Calvino writes that it is’ In this story about Fedora, Marco Polo tells Khan that in his large Empire there must be a place for both Fedoras – big and small ones, as they are both real cities as well as assumptions, as a big one represents what is accepted as necessary and a small one what is imagined as possible.Reference to this is in my animation work and the use of small Lego figures. Both of it is result of alienation and irony of modern city life where individual is isolated and lost in its environment and is open to consumer’s exploitation.The boards are left empty and open so one can have a look to see what is behind.Large empty hole left in billboards represent new windows that perhaps could open a previously unknown view.Essay on theme of Italo Calvino’s book “Invisible Cities” applied to work of some contemporary artists as well as to work of Edita Pecotic Trying to find the right framework around which to build my essay for the module ‘Themes and Concepts 2’of my Fine art Degree, I visited the recent exhibition ‘ The State of Play’ at the Serpentine Gallery, London.The exhibited art works reminded me of various details from Italo Calvino’s “Invisible Cities”.This work is inspired by fire escapes staircases usually found on the back facades of toll city buildings.Miniature staircases created by Sze, although too small to climb on, invokes in the viewer the desire of climbing this networked maze of false starts and dead-ends, ladders and steps, balconies and platforms to experience the feeling of danger of being lost (thus orange colour) in our own desire.my other work, a short film ‘Desperately Fighting Scary Black Horses’ the same issue of consumerism is addressed.A video-shot of a moving billboard is edited in the way to appear that the little house from the billboard (as symbol of the individual) is trying to push back powerful horses – (logo of Lloyds Bank).